"Polly put the kettle on ,We'll all have tea"..Charles Dickens.
Please do come in and ... ENJOY a warm sip from this much traveled teacup, created by A.E. Gray.
Gray's Pottery company was based in Hanley, Staffordshire in 1907, later Stoke -on-Kent, which existed until 1960 when Portmeirion Pottery took it over.
It's unique style and bold colours denote the artistic talents of artisans from the another era. It was an age of experimentation and expression.
Their creative decorating focussed on floral designs, lustre-banded patterns, slipware, geometric jazzy designs, print and enamelled patterns. Gray's Pottery were well known for their flower wall pockets, large animal studies, lustred 18th century figurines, table lamps and hors d'oeuve sets complete with wooden trays.
Grays Pottery often carried a backstamp which included ' hand-painted', for hand-painted patterns which were the very essence of the majority of the thousands of designs produced during the firms existence. In 1912 the company sourced an undecorated pottery, called ' white ware' from various suppliers and using the talents of in-house designers such as Susie Cooper and Sam Talbot, developed a highly successful decorating business... and in 1930 the slogan " The Pottery of Distinction " was well chosen. Gray's designs flooded national and international exhibitions as well as being included in influential design registers.
Gray's Pottery was a typical family business, into which A.E. Gray brought his young son, his daughter contributed designs and in 1930 his nephew John ran the show room, nephew Jack contributed various designs included the distinctive "Clipper" backstamp . The spirited family worked together from the design room to the shop floor where there were many relatives working alongside one another.
Most of the wares do not have specific names but rather a pattern classification for example , ( above) has a lustre band combined with a print and enhanced with enameled colours. Therefore the the classification relied on the principle colour of the pottery. Lustre had sub-classes of silver, copper,etc ... My Dicken's Days tea piece is what is called, " splashed lustre".
Splashed lustre is also referred to as mottled or a splatter lustre..which I personally love for it's artistic uniqueness. It is a product of the 19th century Sunderland Potteries in the north-east of England.. A.E. Gray, was quite partial to lustre and developed a wide range of splashed lustre patterns which usually incorporated a monochrome print such as Dicken's Days.
Though purple/pink is the predominant colour for the lustre, other colours such as blue and green were also utilized in production, right up to the time when Gray's Pottery became Portmeirion.
I see there are still a few blooming gallardia and echinacea in the gardens.
( Chirp Chirp) These were some of the fluffy little " Meat King" chicks that were unfortunately eaten and celebrated this Thanksgiving, poor little things.
The last flowers of Autumn, echineacea, marigolds and goblin gallardia are still blooming
in this beautifully landscaped rock garden. I know that many a weary hour were spent planning this
inviting walkway up to the lofty greens of the farm house. It always seems to brighten my day.
Most delightful is this large cluster of green blossoms.
Does anyone recognize plant or know it's name. ?
I love meandering through gardens but the kettle is still on the stove and the stage coach is waiting to take us back home for another cup of tea.
It's been a " Dickens' of a day and I'm so glad that you all decided to visit Ladies. Now you can relax for a few more minutes and have another cup of tea while I make the egg sandwiches.
"Polly put the kettle on and we'll all have tea "
Have a wonderful day !!!!
P>S>…My apologies Ladies for this re-posting late…It was posted last week and somehow got lost in cyberspace…. You all get extra scones for visiting me twice>>HUGS